 |
THE |
REMBRANDT VAN RIJN |
|
Veritus AG |
Home | Index | Bibliography | Committee |
|
THE |
REMBRANDT VAN RIJN |
|
 |
INTRODUCTION If this is your first visit to the Rembrandt Committee Catalogue Raisonn�, we ask you to kindly read the introduction. There is key information within the introduction that will assist you in understanding the Catalogue Raisonn� and its importance. |
DATA PRESENTATION |
|
 |
If you have not yet examined the
explanation for the presentation of our data, we ask you to do so at this time. The button
to the left as well as the link
here will take you to the explanation. If you do not understand
the method in which we present our findings, much of the implications of our findings will
be lost to you. Unfortunately, these pages are graphic intensive, but this graphic
approach is critically important to the understanding of our work. |
THE CATALOGUE |
|
| This Catalogue contains the works
considered by the Committee to be wholly authentic works by the hand of the master.
Paintings contained within this volume may have very minor portions that were executed by
a student or were over-painted by a restaurateur, however the work would overall have to
be considered to be by the hand of the master. Rembrandt scholars will note that there are far fewer works included in this volume than appear any any other comprehensive Rembrandt Catalogue Raisonn� to date. This much smaller number is due to the sophisticated methods of analysis in use by the Committee and the consequent rejection of many studio and collaboration works. |
|
CATALOGUE CONVENTIONS |
|
| A different organisational convention has
been used than is commonly used in paper publishing. This choice was made due to the
dynamic aspects of electronic publishing. Unlike conventional publishing, electronic
publishing allows for immediate updates and/or corrections of important information.
Electronic data also allows for efficient database searches. Loading times were also
considered important because of limited bandwidth availability in many reference
libraries. Therefore, the catalogue is organised alphabetically by painting title. The
paintings are then placed in chapters which with seven to ten paintings per chapter. This allows for fast loading times for the bandwidth challenged, easy database searches by the scholar and for possible later additions. |
|
INDEX |
|
| Chapter 1 8 paintings |
Beginning with : A Scholar in his Study Ending with : |
| Chapter 2 8 paintings |
Beginning with : Musical Allegory Ending with : |
| Chapter 3 8 paintings |
Beginning with : Portrait of an Old Lady with Headress Ending
with : |
| Chapter 4 8 paintings |
Beginning with : Portrait of a Young Lady with a Fan Ending with
: |
| Chapter 5 8 paintings |
Beginning with : Portrait of Marten Soolmans Ending with : |
| Chapter 6 8 paintings |
Beginning with : Portrait of the Painter Gerard de Lairesse Ending
with : |
| Chapter 7 8 paintings |
Beginning with : Saskia with a Red Flower Ending with : |
| Chapter 8 9 paintings |
Beginning with : Self-portrait in a Fur Trimmed Cloak Ending with : |
| Chapter 9 8 paintings |
Beginning with : The Money Changer Ending with : |
 |
� 1995-2007, All rights reserved |
If you have any technical problems with this site, please contact the This site is being constantly updated and expanded, |